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On Sunday, I proved to myself that, after years of film-festival going (Hot Docs, TIFF, WSFF, et al.), I’ve still got the stamina to make it through a four-screening day unscathed and not completely exhausted. Yay! That said, I opted not to push my luck, so yesterday I chose a more modest two films... and, I must say, being able to eat dinner at home and not on a bench at the Lightbox was a nice treat. So! One of…
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I think at some point in the next few days, I’m going to devote an entire entry to the inexplicable phenomenon of audience members STILL using their smartphones during festival screenings. It’s astounding, not to mention rude and inconsiderate in terms of both the offender’s fellow filmgoers, but also for the filmmakers themselves, who are often in attendance. What is WRONG with these people?! Anyway... deep breath... Though my first film of the day – director Howie Mandel’s Committed (5/8)…
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It’s strange how, completely by chance, you can wind up seeing a bunch of films back to back that complement each other perfectly in terms of tone, content or both. That happened to me today. First up was (Dis)Honesty (8/8), a thoroughly fascinating documentary about how, why and when we lie. The film features Duke University behavioral researcher Dan Ariely and his super-cool work, which examines the nature of dishonesty and the varying degrees to which we accept or reject…
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Huzzah! The first official day of film-going at the festival finally arrived and, after a long walk to the Bader – where I joined a couple of my fest-going pals in line – it was time to get Hot Docs 2015 underway. I’d been looking forward to my first film ever since the festival’s film lineup had been announced. I’ve loved the work of director Kim Longinotto for years. Her subjects are usually champions for the rights of women and…
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It’s almost time for the festival proper to get underway, and I managed to see another half-dozen films before the doors officially open on April 23rd.     The Closer We Get (6/8) Sometimes, when a director makes his or her family members (and their dysfunction) the subjects of a documentary, you wind up with something that feels invasive and exploitative (see: The Manor, which opened Hot Docs 2013 and which I did not enjoy at all). But this quiet…
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Hallelujah! It’s Hot Docs time again! It has become, quite honestly, my favorite season. This year, the festival (April 23 – May 3) will screen more than 200 documentaries from around the world – among them, 47 world premieres – across a dozen different programs that span everything from late-night oddities to biographies, exposés and so much more. Check out the full film list here. Want to buy tickets? Great! Visit the box office! In the meantime, and as I ready…
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